Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday May 3, 2024
This weekend on TCM:
Dark Passage (1947) is a wildly engrossing film noir that combines the best of romance with the best of noir in the best location for both: San Francisco. Previously endorsed as a Blu-Ray release here, Bogart will make his dark (rite of) passage in Eddie Muller’s Noir Alley on Saturday, May 4 at 9:15 pm PDT and again on Sunday, May 5 at 7 am PDT.
That’s Humphrey Bogart as Vincent Parry standing at the crossroads of Greenwich Street (behind him leading to Coit Tower) and Hyde where he will soon board the Hyde cable car. This will take him to its final stop: the turntable turnaround at Powell Street and Market (seen below).
After directing Colorado Territory (1949), Raoul Walsh’s very next film retained all of that film’s energy and even added some for White Heat (1949), previously reviewed here. TCM's screen will heat up Sunday, May 5 at 7:15 pm PDT.
TCM's current monthly schedule can be confirmed by clicking on any of the above images. For those who live in parts of the U.S. other than the western region, the time zone can be adjusted in the upper right-hand corner of TCM's programme.
All responses are not only welcomed but encouraged in the comments section below.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, May 1, 2024
Today on TCM:
Otto Preminger’s directed classic, 1944’s Laura, is the exacting director’s slick and assured amalgamation of mystery (whodunnit) and film noir (obsessive desire, gruesome murder etc) elements.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, April 23, 2024
Currently available on Watch TCM (until April 29th):
One of director David Lean’s more ambitious projects may have turned out less artistically accomplished than its director intended. Still, it has many attributes making Doctor Zhivago (1965) well worth seeing.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, April 5, 2024
Today on TCM:
In my review of Casablanca(1942), I made some criticism regarding its emotionally underwhelming Parisian flashback. Prior to this film, however, Casablanca's producer Hal Wallis and one of its contributing writers, Casey Robinson, made Now, Voyager (1942)
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, April 3, 2024
Today on TCM:
There are 3 films starring Marlon Brando that I have reviewed.
Besieged with production problems, and sometimes wrongfully criticised because of them, this next TCM recommendation is, nevertheless, an accomplished and splendorous piece of dramatically dynamic adventure storytelling: the 1962 version of Mutiny on the Bounty,
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, March 25, 2024
Today on TCM:
MGM's 1952 musical Singin' in the Rain was not adapted from a theatrical production, though the film was later turned into one, being first presented on stage in 1983.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, March 20, 2024
Currently available on Watch TCM (until March 27th):
Besieged with production problems, and sometimes wrongfully criticised because of them, this next TCM recommendation is, nevertheless, an accomplished and splendorous piece of dramatically dynamic adventure storytelling: the 1962 version of Mutiny on the Bounty
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, February 26, 2024
Today on TCM:
Besieged with production problems, and sometimes wrongfully criticised because of them, this next TCM recommendation is, nevertheless, an accomplished and splendorous piece of dramatically dynamic adventure storytelling: the 1962 version of Mutiny on the Bounty
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, February 23, 2024
Today on TCM:
Otto Preminger’s directed classic, 1944’s Laura, is the exacting director’s slick and assured amalgamation of mystery (whodunnit) and film noir (obsessive desire, gruesome murder etc) elements.
