Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, July 15, 2025
Tomorrow on TCM:
My next TCM film to see is Fritz Lang’s 1952 Clash by Night which is reviewed as a DVD recommendation here. The clash will occur on TCM Wednesday, July 16 at 3:15 pm PDT.
Robert Ryan, Marilyn Monroe
TCM's current monthly schedule can be confirmed by clicking on the above image. To confirm the correct Pacific Daylight (West Coast) showtime information, subtract 3 hours from the Eastern Daylight (East Coast) showtime listed on TCM’s schedule.
All responses are not only welcomed but encouraged in the comments section below.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, July 11, 2025
Tomorrow on TCM:
After her breakthrough role in Joseph von Sternberg's The Blue Angel made in Germany, Marlene Dietrich made six more films with the autocratic director in the U.S. The Scarlet Empress (1934), previously reviewed here, is arguably the duo’s most accomplished.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, July 9, 2025
Currently available at Watch TCM (until July 13th):
In 1966, one of the more challenging films to face off against the Production Code (mentioned in Exploring the Artefacts #3: Code Breakers) was that year’s Who’s Afraid of Virginia Woolf? (reviewed here) remarkably delivering all of the guttural force of its theatrical origin while creating a more intimate, and cinema appropriate, dynamic all its own.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, July 7, 2025
Today on TCM:
My next recommendation is Howard Hawks’ lightening fast comedy/romance His Girl Friday (1940), reviewed here and blasting off Monday, July 7th at 3 pm PDT.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, July 4, 2025
Tomorrow on TCM:
1972's The Getaway is not nearly as meaningful or resonant as some of Sam Peckinpah's earlier films; still, as a genre piece, it punches solidly above its pay grade.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, June 27, 2025
Today on TCM:
A top of the line screwball comedy released the same year as Sullivan’s Travels and, even more remarkably, from the same writer (co-writer here along with Monckton Hoffe) / director is The Lady Eve (1941) reviewed here.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, June 25, 2025
Currently available at Watch TCM (until June 29th):
From the same director who brought us Citizen Kane comes another kind of cinematic hero (of sorts). Michael O'Hara, like the deeply flawed Kane, is flawlessly played by his creator Orson Welles. Unlike Citizen Kane however, this film fell under its producer Harry Cohn's butchery with considerable footage lost and destroyed forever. Nevertheless, what survives is vastly entertaining and not to be missed. The Lady from Shanghai (1947) was previously recommended here.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, June 23, 2025
Tomorrow on TCM:
“Imagine a dish like this married to a mug like Benny McBride... the naked and the dead.”
Next up is Richard Fleischer’s little powder keg of a film noir Armored Car Robbery (1950), previously recommended here and set to explode Tuesday, June 24th at 2:30 pm PDT.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, June 20, 2025
This weekend on TCM:
In 1967, British Director John Boorman nailed the American crime milieu with the precision of his film's title, Point Blank, a Neo-noir masterpiece fortified with style and driven by purpose.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, June 19, 2025
In London, United Kingdom The Prince Charles Cinema will present the exceptional Neo-noir Get Carter (1971, a 4K presentation) Friday, June 20th at 12 noon.
