Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, November 14, 2024
Today on TCM:
“How does it feel to be a decent, respectable married man?”
Dick Powell’s Everyman faces a mid-life crisis, including a far more considerable threat to his well being in the form of Raymond Burr’s jealous contractor, in Pitfall (1948), previously recommended here. Pitfall will occur Thursday, November 14 at 1:30 pm PST.
Dick Powell, Lizabeth Scott
TCM's current schedule can be seen by clicking on the above image. To confirm the correct Pacific Standard (West Coast) showtime information, subtract 3 hours from the Eastern Standard (East Coast) showtime listed on TCM’s schedule.
All responses are not only welcomed but encouraged in the comments section below.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, November 11, 2024
Tomorrow on TCM:
Tomorrow Is Another Day (1951), previously reviewed here, may sound like some forgotten Douglas Sirk melodrama, but certainly has its fair share of film noir qualifications delivered with assuredness by director Felix Feist.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, November 7, 2024
Currently available at Watch TCM (until November 14th):
Dark Passage (1947) is a wildly engrossing film noir that combines the best of romance with the best of noir in the best location for both: San Francisco.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, November 5, 2024
Tomorrow on TCM:
"Why should the Falls drag me down here at 5 o'clock in the morning? To show me how big they are and how small I am? To remind me they can get along without any help? All right, so they've proved it. But why not? They've had ten thousand years to get independent. What's so wonderful about that? I suppose I could too, only it might take a little more time."
What exactly is film noir? Many enthusiasts and experts continue to debate the subject, with numerous examples of films that should, and just as many that should not, be included in the category. Some, who most likely feel that noir films rely on a certain look, dismiss any colour film as unworthy of being categorised as such. Others like myself, prone to distinguishing noir by its subject matter, are more inclined to include colour films produced during noir's classic time period that focus on crime and the psychologies of those involved. This brings me to my next TCM selection and a prior Blu-ray recommendation here, 1953's Niagara
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, November 4, 2024
Tomorrow (early morning) on TCM:
I previously wrote about MGM contract actor Robert Taylor appearing in a startling number of well crafted films when writing about 1941’s Johnny Eager. He also starred alongside some of Hollywood’s hottest leading ladies including Lana Turner in the aforementioned film and Ava Gardner in The Bribe (1949)
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Sunday, November 3, 2024
Today on TCM:
My next TCM recommendation for the month is, for many experts, the final film noir released during the classification's classic time period (1940 - 1959), Orson Welles' stylistically assertive Touch of Evil (1958).
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Saturday, November 2, 2024
Today on TCM:
Next up, is a WW II film that can only be defined by its setting. There are just too many dispersed ideas regarding tone and perspective to communicate what kind of film Kelly’s Heroes (1970) is
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, October 30, 2024
Today on TCM:
“The mattress is soft and there're hangers in the closet and stationary with ‘Bates' Motel’ printed on it in case you want to make your friends back home envious.”
Still another Hitchcock artistic triumph was, at the time (including throughout its primary creator’s career), the most audacious cinematic assault ever perpetrated on the movie going public or the Motion Picture Production Code for that matter. 1960's Psycho
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, October 25, 2024
Today on TCM:
Next is a sterling example of how to present complex and enthralling characters, all of whom develop naturally while still holding our intense fascination: Citizen Kane (1941).
