Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, February 11, 2025
Tonight on TCM:
In 1966, one of the more challenging films to face off against the Production Code (mentioned in Exploring the Artefacts #3: Code Breakers) was that year’s Who’s Afraid of Virginia Woolf?, reviewed here, remarkably delivering all of the guttural force of its theatrical origin while creating a more intimate, and cinema appropriate, dynamic all its own. Let the “games” begin Tuesday, February 11 at 9:15 pm PST.
Elizabeth Taylor, Richard Burton
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, January 8, 2025
Tomorrow on TCM:
In my review of Casablanca(1942), I made some criticism regarding its emotionally underwhelming Parisian flashback. Prior to this film, however, Casablanca's producer Hal Wallis and one of its contributing writers, Casey Robinson, made Now, Voyager (1942)
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, January 3, 2025
Today on TCM:
1945’s Spellbound directed by Alfred Hitchcock, is another film whereby I’ve previously promoted its soundtrack and have added a few words regarding the film itself here.
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, December 27, 2024
Today on TCM:
When affairs of the heart are so well integrated with thoughts of murder as they are in the Humphrey Bogart starrer Conflict (1945), we have the makings of an exceptional film noir. This
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, December 16, 2024
Today on TCM:
This next TCM recommendation is made for its John Williams composed score more than anything else. Close Encounters of the Third Kind (1977) has been reviewed here
Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, December 3, 2024
Tomorrow on TCM:
What better way for film lovers to celebrate cinema's diversity after watching a terrifying drama like 1962’s Cape Fear, than to partake in the light-hearted, almost make-believe world of a Princess' Roman Holiday (1953)?
