Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, March 12, 2025
Today on TCM:
A top of the line screwball comedy released the same year as Sullivan’s Travels and, even more remarkably, from the same writer (co-writer here along with Monckton Hoffe) / director is The Lady Eve (1941)
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, March 11, 2025
Tomorrow on TCM:
One of Alfred Hitchcock’s more uncustomary, yet distinguished, offerings is 1953’s I Confess
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, March 10, 2025
Today on TCM:
Patterns (1956) is Hidden Gem #54
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, February 27, 2025
Tomorrow on TCM:
My final TCM recommendation for the month is Roman Polanski’s Tess (1979)
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, February 21, 2025
In New York City, New York, Film Forum is presenting as part of their ‘Tales from the New Yorker’ series, The Swimmer (1968)
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, February 20, 2025
Today on TCM:
Bad Day at Black Rock, reviewed here, is 1955's modern-day take on the American Western.
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, February 19, 2025
Today on TCM:
Also on TCM’s agenda is the Neo-noir Bullitt (1968), one of Steve McQueen’s most iconic characterisations.
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, February 13, 2025
Tomorrow on TCM:
Many readers have taken me to task for my inclusion of 1942’s Casablanca on a list of “All that Glitters…”: The Overrated.
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, February 11, 2025
Tonight on TCM:
In 1966, one of the more challenging films to face off against the Production Code (mentioned in Exploring the Artefacts #3: Code Breakers) was that year’s Who’s Afraid of Virginia Woolf?,
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, February 3, 2025
Tonight on TCM:
Bonnie and Clyde is a seminal gangster saga heavily influenced by the French iconoclast Jean-Luc Godard.
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, January 29, 2025
Today on TCM:
Next up is a light-hearted and charming Christmas holiday treat: Ernst Lubitsch's The Shop Around the Corner (1940).
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, January 24, 2025
Tomorrow on TCM:
Few biopics are as inspirational as Michael Curtiz’ Jim Thorpe - All American (1951)
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, January 23, 2025
Tomorrow on TCM:
1967’s Bonnie and Clyde is a seminal gangster saga heavily influenced by the French iconoclast Jean-Luc Godard.
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, January 20, 2025
Today on TCM:
Next up is the remarkably understated, albeit compelling, racial drama Intruder in the Dust released in 1949.
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, January 15, 2025
Tomorrow on TCM:
Make way for the rapturous Stanley Donen directed musical Seven Brides for Seven Brothers (1954)
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, January 10, 2025
This weekend on TCM:
The unmissable Busby Berkeley extravaganza Footlight Parade (1933)
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, January 8, 2025
Tomorrow on TCM:
In my review of Casablanca (1942), I made some criticism regarding its emotionally underwhelming Parisian flashback. Prior to this film, however, Casablanca's producer Hal Wallis and one of its contributing writers, Casey Robinson, made Now, Voyager (1942)
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