Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, April 14, 2025
Tomorrow on TCM:
"And then I saw her - coming out of the sun. And I knew why Whit didn't care about that 40 grand."
Out of the Past (1947) is one of film noir's finest and most highly recommended here.
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, April 10, 2025
My sincere apologies for missing yesterday’s “Dish of the Day”. Moving residences proved too time consuming in addition to having extremely limited internet access.
Today on TCM:
MGM's 1952 musical Singin' in the Rain was not adapted from a theatrical production although the film was later turned into one being first presented on stage in 1983.
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, April 7, 2025
Tomorrow on TCM:
Stanley Kubrick took the entire film community, along with noir fans, by (a perfect) storm with his innovative 1956 take on the caper genre, The Killing previously recommended here.
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, April 4, 2025
This weekend on TCM:
A film noir bonafide classic is 1952’s The Narrow Margin.
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, March 28, 2025
Tomorrow on TCM:
I previously wrote about MGM contract actor Robert Taylor appearing in a startling number of well crafted films when writing about 1941’s Johnny Eager. He also starred alongside some of Hollywood’s hottest leading ladies including Lana Turner in the aforementioned film and Ava Gardner in The Bribe (1949)
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, March 24, 2025
Tomorrow on TCM:
1967's Hotel was taken, like 1970's Airport, from a novel by Arthur Hailey and is the far better crafted of the two films.
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, March 21, 2025
Today on TCM:
One of cinema’s most quintessential performances can be seen in 1947’s Possessed by the film’s star Joan Crawford.
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, March 18, 2025
Tomorrow on TCM:
If I was in charge of choosing a single film noir for someone only willing to see one in the entire canon, I would select Double Indemnity (1944) as its most fulfilling and accomplished representative.
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Wednesday, March 12, 2025
Today on TCM:
A top of the line screwball comedy released the same year as Sullivan’s Travels and, even more remarkably, from the same writer (co-writer here along with Monckton Hoffe) / director is The Lady Eve (1941)
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Tuesday, March 11, 2025
Tomorrow on TCM:
One of Alfred Hitchcock’s more uncustomary, yet distinguished, offerings is 1953’s I Confess
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Monday, March 10, 2025
Today on TCM:
Patterns (1956) is Hidden Gem #54
Read MoreJust some thoughts on current happenings:
Read MoreJust some film musings of a more succinct, spontaneous and sometimes seditious nature:
Thursday, February 27, 2025
Tomorrow on TCM:
My final TCM recommendation for the month is Roman Polanski’s Tess (1979)
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Just some film musings of a more succinct, spontaneous and sometimes seditious nature:
Friday, February 21, 2025
In New York City, New York, Film Forum is presenting as part of their ‘Tales from the New Yorker’ series, The Swimmer (1968)
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