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Dish of the Day (A Lost Weekend Edition)

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, June 20, 2025


This weekend on TCM:

In 1967, British Director John Boorman nailed the American crime milieu with the precision of his film's title, Point Blank, a Neo-noir masterpiece fortified with style and driven by purpose.

Lee Marvin

Lee Marvin's 'cold as a frozen corpse' Walker, is a machine-like man on a mission, appearing unstoppable as he charges through LAX possessed with unbridled vengeance. It's also quite ironic that despite Walker's hardened resolve, the considerable threat he poses, generous amount of punishment he dishes out, and the high body count he seems responsible for, doesn't directly kill anyone in the entire picture. "Was it a dream?" You be the judge when Point Blank (first acclaimed here) hits Saturday, June 21st at 3:15 pm PDT.

TCM's current monthly schedule can be confirmed by clicking on the above image. To confirm the correct Pacific Daylight (West Coast) showtime information, subtract 3 hours from the Eastern Daylight (East Coast) showtime listed on TCM’s schedule.

All responses are not only welcomed but encouraged in the comments section below.

Hope to see you Monday, June 23rd.

A.G.

Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Thursday, June 19, 2025

In London, United Kingdom The Prince Charles Cinema will present the exceptional Neo-noir Get Carter (1971, a 4K presentation) Friday, June 20th at 12 noon.

Michael Caine

Click on the film’s title in grey for the review and on the above image for more information on this screening.

All responses are not only welcomed but encouraged in the comments section below.

Hope to see you tomorrow.

A.G.

Dish of the Day

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Monday, June 16, 2025

Currently available at Watch TCM (until July 12th):

"Complaining about the far-fetched circumstances in films noir is like objecting to the lack of realism in a Picasso painting. What I mean is that lovers of these criminally rich cinematic delights oughtn’t to bother picking out the implausibilities, since they are practically a hallmark of noir's style."

I've written this before when introducing Split Second (1953), a film noir that presents some rather unlikely occurring, but fascinating, situations.

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Dish of the Day (A Long Good Friday Edition)

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, June 13, 2025

This weekend on TCM:

The multi-talented Gordon Parks made his directorial debut at age 57 with 1969's The Learning Tree based on his semi-autobiographical novel of the same name. This touching coming of age story was previously lauded, along with its creator Parks, in an article entitled: Exploring the Artefacts #5: The Alchemist.

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Dish of the Day (A Lost Weekend Edition)

Just some film musings of a more succinct, spontaneous and sometimes seditious nature:

Friday, May 30, 2025

Tomorrow on TCM:

Next up, is a WW II film that can only be defined by its setting. There are just too many dispersed ideas regarding tone and perspective to communicate what kind of film Kelly’s Heroes (1970) is, let alone how any of its numerous genre types are successfully represented.

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